Publications: bibliography: about TP

Is My Craft Ebbing, acrylic on vellum 1985

Is My Craft Ebbing? acrylic on vellum, 1985

  • 2014
  • 'Face to Face: British Portrait Prints from the Clifford Chance Art Collection', (Sir John Soane's Museum, London) p.45 : featuring Tom Phillips Literary Portraits, Dante and Virgil
  • The Ultimate Guide to Art Quilting by Linda Seward (Sixth & Spring Books, 2014) p.117 Tom Phillips Manpower Quilt
  • 2013
  • 'To Coin A Phrase' Royal Academy Magazine (Winter 2013) p.70, Tom Phillips interviewed by Gill Crabbe on Benjamin Britten Memorial Coin
  • 'Wise words from a free spirit by Michael Glover' (The Independent 01 September 2013), review of Tom Phillips at Flowers Central
  • 2012
  • Interview with Tom Phillips by Cathy Brooks-Baker (Camberwell Quarterly No 172 Spring 2012, p.8
  • The Fifth Edition of A Humument, review by Chris McCabe (Poetry Review) Autumn 2012, (guest edited by Charles Boyle)
  • 'As an observer of humanity Tom Phillips's thoughts are second to none' Susannah Frankel reviews Menswear in The Independent 20th October 2012
  • 'Tom Phillips: An Interview' Adam Smyth and Gill Partington, London Reveiw of Books online, October 4th 2012
  • 'Double Act' review of A Humument 5th edition by Adam Smyth, London Review of Books, vol 34 No.19 October 11th 2012
  • 'A Little White Opening Out of Thought' review of A Humument 5th edition by Chris McCabe, Poetry Review, volume 102:3 Autumn 2012
  • 'A Humument' 5th edition reviewed by Keith Miller, TLS 28th Sept 2012
  • 'Were there but world enough and time' interview with Andrew David King, The Kenyon Review (online) Sept 2012
  • 'Every Day of My Life is Like a Page' Review of 5th edition A HumumentLiterary Review July 2012 issue 400, James Kidd
  • 'A Humument: Long Revision' David Jennings, The Spectator, 19th May 2012
  • 'The Last Art Film' Films, Jake Auerbach
  • 'Absent Things As If They Are Present' The Believer Magazine January 2012, Jeannie Vanasco
  • 2011
  • 'The Olympic Kilo Coin' The Guardian (23rd November 2011), Maev Kennedy
  • 'Art lovers — reach for your iPads' Royal Academy Magazine (RA, Spring 2011 p.78), Ben Lakee
  • 'Metaphorical rather than literal' The Biochemist (Biochemical Society, February 2011 p.39), Sheila Alink-Brunsdon
  • World in the Balance (W W Norton), Interview with Tom Phillips about West African Goldweights, by Robert P. Crease
  • 2010
  • Éditer L’Art (Les Éditions de la transparence: essais d’esthétique, 2010 pp.8,96,97), Leszek Brogowski
  • Royal Academy, Royal Academy Illustrated (RA, Summer 2010 p.92)
  • 'The Artist as Collector' Apollo Magazine (September 2010 p.48), Isabel Andrews
  • 'A Humument for your iPad' Printmaking Today (Cello Press Ltd, Winter 2010 p.18), Anne Desmet
  • 2009
  • 'Countdown to the new Ashmolean' Oxford Times (October 2009 pp.22-23), Theresa Thompson
  • 'The Pastel Royals' The Pastel Journal (June 2009 p.48), Ken Gofton
  • 'My Favourite Portrait' Face to Face NPG Journal (National Portrait Gallery, Autumn 2009 p.3), Camilla Batmanghelidjh
  • 'Cathedrals and the Visual Arts' Art and Christianity (Art and Christianity Enquiry Ttrust, Winter 2009 p.5), Graham Howes
  • 'An Introduction to Less is More...' The Capilano Review (The Capilano Press Society, Winter 2009 pp.6-11, 25-28) Ariana Kelly and Bill Jeffries
  • 2008
  • Royal Academy, Royal Academy Illustrated 2008 (RA Books, 2008 p.31)
  • 'The Word Made Mosaic' Apollo Magazine (Press Holdings Ltd, January 2008) pp.36-41, Ruth Guilding
  • 'Recording Artist' Museum Practice Magazine (Museum Associates, Spring 2008) pp.32-35, Javier Pes
  • Blood on Paper (V& A publications, June 2008)
  • 'Eric S Maskin awarded nobel prize in economics' The Institute Letter (Institute for Advanced Study, Winter 2008)
  • 'Martin L Leibowitz: Chairman of the Board of Trustees' The Institute Letter (Institute for Advanced Study, Winter 2008) p.7
  • 2007
  • Royal Academy, Royal Academy Illustrated (RA Books, 2007 p.33)
  • 'Biographies' Autobiobliophiles (Summer 2007 pp.5, 8), Michael Lee Hong Hwee
  • 'Dante Alighieri' Dante Rediscovered (Wordsworth Trust, 2007 pp.82-83), David Bindman, Stephen Hebron, Michael O'Neill
  • 'Celestial ping-pong ball' A Book of Wonder, ed Robert Violette and Jane Withers (Selfridges & Co, 2007 p 30), Bettina von Hase
  • 'Director's Visitor: Tom Phillips' The Institute Letter (Institute for Advanced Study, Winter 2007 p.8)
  • 2006
  • 'Bold Vision' Oxford Times (24th February, 2006), Sylvia Vetta
  • 'National Portrait Gallery: more transparent than the Tate', The Art Newspaper (January 2006)
  • 'Letter from the Master' Christ's College Magazine (2006 p.7), Malcolm Bowie
  • 'Introduction' New Directions in Altered Books (Lark Books, 2006 p.6), Gabe Cyr
  • Royal Academy, Royal Academy Illustrated 2006 (RA Books, 2006 pp.54, 179)
  • The Portrait Now 2006 (National Portrait Gallery, 2006 pp.11,127,149), Sandy Nairne, Sarah Howgate
  • 'A Portrait Project: Tom Phillips Paints Sir Nicholas Goodison' Courtauld Institute of Art News (Courtauld Institute Autumn 2006 pp.4-5), Sir Nicholas Goodison
  • 'Getting Into Difficulty' The Bloodaxe Book of Poetry Quotations (Bloodaxe Books Ltd, 2006 p.146), Dennis O'Driscoll
  • 2005
  • 'Tom Phillips’s victory tour of the US' The Art Newspaper (June 2005), Adrian Dannatt
  • 'Works from a Humument' Art in Review, New York Times (June 2005), Roberta Smith
  • 'Altered books' Creating Artists' Books (A & C Black Publishers, 2005 p.59), Sarah Bodman
  • 'Additions and Subtractions' No Longer Innocent: Book Art in America 1960-1980 (Granary Books, 2005 pp.128-30, 196, 252), Betty Bright
  • Royal Academy, Royal Academy Illustrated 2005 (RA Books, 2005 pp.113, 116)
  • The Hunting Art Prize 1981-2005 (Royal College of Art, February 2005 pp.41-42), Anna Blundell-Williams, William Parker
  • 2004
  • 'Portrait' The Art Programme (Channel 4, 16th January 2004), Bruno Wollheim
  • 'Who’s that girl?' Evening Standard (26th February 2004), Valentine Low
  • 'Academicians Preview: Out to lunch' RA Magazine (RA, Spring 2004), Sarah Greenberg
  • 'Tom Phillips CBE RA (We Are The People)' London Independent Photography (Summer 2004 pp.54-7), Jeanine Billlington
  • Tom Phillips — New and Recent Work (Flowers East, November 2004), Bill Hurrell
  • 'All Saints Vitalised by a Royal Academian' Church Building (Gabriel Communications Ltd, November-December 2004 pp.22-23), Norman Lawton
  • 'Art', Badges (The British Museum p.93), Philip Attwood
  • 'Postcard World: New book, exhibition and fair' Philatelic Exporter (Stanley Gibbons Publications Ltd, 2004 p.40), Liz McKernan
  • 2003
  • 'Pavement Artist' Living South (September 2003 pp.12-13), Pendle Harte
  • 'Space is the Place' Printmaking Today (Spring 2003 p.10), Judith Palmer
  • 'John Maine and the British Museum’s 250th AnniveRepublic of South Africary Medal' The Medal (Spring 2003 pp.83, 88, 91), Philip Attwood
  • 'Interview on the Robert Elms show' BBC Radio London: Robert Elms (BBC, 10th March 2003)
  • 'Peeping Tom / Anteckningar till "A Humument"' OEI (2003/2004 pp.177-183, 184-186), Torbjörn Elensky / Tom Phillips
  • 2002
  • 'The Academic Archive: Volume 1' Wax Poetics (waxpoetics, 2002 pp.77, 85, 105, 194), Joe Allen
  • Royal Academy, Royal Academy Illustrated 2002 (RA Books, 2002) pp.50, 184
  • , 'De la petite à la grand histoire par les cartes postales' Spirale (March/April, 2002 pp.6-7), Anick Bergeron
  • 2001
  • 'Saturday Review' Radio 4 (BBC, 24th March 2001)
  • 'Discussion of African Art at the British Museum', Nightwaves: Radio 3 (BBC, March 1st 2001)
  • 'Wish you were there?', Hotline (Virgin Trains, Spring 2001 pp.20-21), Siân Phillips
  • 'Tom Phillips: Treating and translating', Mosaic (September 2001 pp.123, 279), Mary Ann Caws
  • The Art of the Book: From Medieval Manuscript to Graphic Novel (V&A Publications, 2001 p.180), James Bettley
  • 'Painting Peckham Pink', Living South (March 2001), Jonathan Gibbs
  • 2000
  • 'Today’s Choice', The Times (8th February 2000 p.44), Tony Patrick
  • 'Television Review' The Independent Review (9th February 2000 p.16), Robert Hanks
  • 'Today’s Choice' Daily Telegraph (18th January 2000), Edna Pottersman
  • 'And this is us, revealing all' Evening Standard (2nd February 2000 p.37), Victor Lewis-Smith
  • 'Having a great time.. with postcards' Barr’s Postcard News (24th January 2000 pp.2, 51), Lew Baer
  • 'Portrait of Sir Patrick Nairne' St Catherine’s College Oxford, Newsletter (Spring 2000)
  • 'Defining Features — Scientific and Medical Portraits 1660-2000' (National Portrait Gallery, September 2000) p.162, Ludmilla Jordanova
  • 'Beckett, Cricket, and Bowler Hats', Folio (Summer 2000 p.19)
  • 'Literary Imprints' Printmaking Today (Autumn 2000 p.22-2), Jim Anderson RE
  • 'Postcard World' The Philatelic Explorer (November 2000 p.37), Liz McKernan
  • 'Shortlist: Snap shot, post modern' The Big Issue (9-15 October 2000), Gillian Murdoch/li>
  • A Book of the Book, ed Steven Clay (Granary Books, November 2000 p.423), Jerome Rothenberg
  • 'Review' The British Postcard Collectors Magazine (Autumn/ Winter 2000 p.8), Ron Griffiths
  • 'Stamp of approval for collectors of picture postcards' The Times (19th August 2000), Clare Stewart
  • 'Academy News/Postcards from a century', RA Magazine (Autumn 2000) p.91
  • 'History and its images', The Art Newspaper (October 2000), Agnes Day
  • 'Weather is here, wish you were beautiful' National Post (8th December 2000 p.11), Norman Lebrecht
  • 'Tracing Traces: Variations on the theme of the palimpsest in Tom Phillips’ A Humument' https://www.dropbox.com/s/5oh65pvu6skh5my (ed Graham Coulter-Smith / Molly Schwarzburg, Southampton Institute, 2000 pp.41-48), Molly Schwartzburg
  • Royal Academy, Royal Academy Illustrated 2010 (RA Books, 2000) p.72
  • 1999
  • 'Review' BBC Music Magazine (May 1999), Mark Pappenheim
  • 'Oranges are not the only fruit' The Express (10th July 1999), Simon Edge
  • 'The Power of the Pen' Art & Antiques (Summer) pp.74-79, Tom Austin
  • 'Cambridge Diversions' The Spectator (27th November) p.72, Robin Holloway
  • 'Twenty-fourth Royal Academy president to be elected subtly' The Art Newspaper (December)
  • Royal Academy Illustrated 1999 (RA Books, pp.63, 149)
  • 1998
  • 'How We Met' The Independent on Sunday (The Independent, 13th Septermber p.61, Lucy O’Brien)
  • 'Verdian tragedy for our time' The Times Arts Pages (14th September 1998 p.20), Rodney Milnes
  • 'He has done the stage some service, and we know it' The Independent on Sunday (13th September 1998 p.6), Dermot Clinch
  • 'A Humument: A Treated Victorian Novel' New Art Examiner (Chicago New Art Association, November 1998 p.60), Tom Csaszar
  • 1997
  • 'Portrait of the artist as a young man (going on sixty)' The Independent (23rd December 1997 p.12), Andrew Lambirth
  • 'A donnish Quixote' The Guardian (1st November pp.26-32), Susannah Frankel
  • 'The Peckham Peeler' The Big Issue (20-26th October p.33), Helen Sumpter
  • 'Inspirational music' RA Magazine (RA Publications, Winter)
  • 'Joy in line, colour, cross' The Church Times (21st November), Richard Davey
  • 'That’s torn it' The Observer (23rd November), Laura Cumming
  • 'Idea-driven and totemic' Financial Times (18th November), William Packer
  • 'Through Tom’s eyes' South London Press (21st October), Cedric Porter
  • 'Life beyond the label' The Spectator (16th August), Andrew Lambirth
  • 'New Lamps For Old' Assemblage 32 (August)
  • Cambridge Architectural Journal (June)
  • Daily Mail (4 June), Michael Coveney
  • Musical Times (March)
  • Royal Academy Magazine (No. 54 Spring)
  • Royal Academy Magazine (No.56 Autumn)
  • Church Times (13 June), Pamela Tudor-Craig
  • Wall Street Journal (17 June)
  • Arts Review (February)
  • 1996
  • 'Tom Phillips A Humument: a treated Victorian novel 1973' Artforum (Anthony Korner, November 1996 p.80), William H Gass
  • Bookworks — A Partial History and Sourcebook, ed Jane Rolo & Ian Hunt (Book Works)
  • London Magazine, David Frazer Jenkins
  • Agenda
  • The Royal Academy Illustrated
  • 1995
  • 'New Haven: Tom Phillips Yale Center for British Art, Creative Wokshop' ARTnews (September, Barbara MacAdam
  • The Royal Academy Illustrated
  • Arts Review letter
  • 1994
  • Art & Auction (January)
  • Intertextuality in Literature and Film 13th: Conference on Literature and Film, ed Elaine D. Cancalon & Antoine Spacagna, University Press of Florida (31st January)
  • Yale Weekly Bulletin and Calendar Vol 22, No. 25 (4th-11th April)
  • 1993
  • Carte D'Arte Internazionale No.4 (December)
  • Windsor: The Most Romantic Castle Hodder & Stoughton, Mark Girouard
  • Politiken (4 December)
  • Royal Academy Magazine No. 41 (Winter)
  • Vogue (July)
  • 1992
  • 'Tom Phillips — The Quest For Identity' Modern Painters (Louise Blouin Media, Winter 1992 pp.24-28), Bill Hurrell
  • 'Reflections in an artist's eye' The Guardian, Michael Billington
  • The Architects Journal Vol 195, No.4 (29 November)
  • The Independent (7 October), Susannah Frankel
  • Preview Magazine North Carolina Museum of Art (Autumn)
  • Peak Listening Period Stride Magazine 1st issue
  • Weekend Telegraph (6 June), Serena Allolt
  • Royal Academy Magazine No.36 (Autumn)
  • Telegraph Magazine (17 October) Andro Linklater
  • 1991
  • Royal Academy Illustrated 1991 (RA Books pp.55, 97, 98)
  • GlassInteriors (Spring/Summer)
  • The Independent (18 April)
  • Oxford Today
  • 1990
  • Burlington Magazine (January)
  • Arts Review (January 12th)
  • Visual Poetry: Rara International (ed Sarenco & Euginio Miccini)
  • Artforum (February)
  • Poets Painters Composers 5, Charles Altieri
  • Preview North Carolina Museum of Art
  • Tom Phillips Catalogue, North Carolina Museum of Art, Introduction by Huston Paschal
  • Blitz (July), Susannah Frankel
  • The Royal Academy Illustrated
  • 1989
  • Beaux Arts Magazine MaÏten Bouisset
  • The Royal Academy Illustrated
  • Twelve European Artists Edward Lucie-Smith
  • Salute to Turner Catalogue, National Trust Foundation for Art
  • Visual Poetics Museum of Contemporary Art Brisbane, Nicholas Zurbrugg
  • The Royal Academy Magazine Autumn
  • The Murdoch Dialogues Ed Vulliamy
  • The Daily Telegraph (June 9th) Richard Dorment
  • The Royal Academy Magazine No. 23
  • The Independent (June 3rd), Adrian Jack
  • Country Life (October 5th)
  • The Architects Journal (June)
  • The Independent (August 12th), Edward Lucie-Smith
  • The Observer> (October 1st), Gillian Widdicombe
  • Financial Times (November 14th), William Packer
  • 'A TV Dante' Invision No. 28, interview by Bill Pannifer
  • 1988
  • 'Tom Phillips ARA Celebrates a milestone of English narrative art', RA Magazine (Spring)
  • De Arte (April) Republic of South Africa
  • The Observer (September 25th), William Feaver
  • Art and Design Vol 4, No. 9/10
  • Artlink Vol 8 No. 2 (June/July)
  • 'Trick or Treatment' Fiction (July), Steve Xerri
  • Sciences & Technologies No. 1 (January) France
  • The Sunday Telegraph January 24th Peregrine Worsthorne
  • The Sunday Telegraph January 31st
  • Good Weekend (March 11th) Australia
  • 'Hunting Group Review' Company Magazine (May)
  • 'Gertrude Stein, Cubism, and the Postmodern Book' Postmodern Genres ed Marjorie Perloff University of Oklahoma Press p.96, Renée Riese Hubert
  • The Altered Page New York Centre for Book Arts, Marvin Sackner
  • Twenty Years of British Art from the Sackner Archive Catalogue Bass Museum of Art, Miami Beach
  • Imagination on a Long Rein ed Joachim Miller, Jonas Verlag Germany
  • 1987
  • The Self-portrait: A Modern View Sean Kelly & Edward Lucie-Smith Sarema Press
  • Daily Telegraph (January 8th), Patricia Morison
  • L'Affiche No. 114 (February), Michael Servière, Rouen
  • The Independent (February 26th), Andrew Graham-Dixon
  • Yorkshire Post (March 9th)
  • Financial Times (March 10th)
  • Arts Guardian (March 11th)
  • The Times (March 12th)
  • London Daily News (March 12th)
  • Arts Review (March 13th), Frances Spalding
  • Portrait of the Artist: 25 Years of British Art Carcanet, Jorge Lewinski
  • Arts Review Yearbook Guy Burn
  • The Miami Herald (March 20th)
  • The Sunday Times (March 22nd), Marina Vaizey
  • Time Out (March 25th), Sarah Kent
  • The Sunday Gleaner (March 29th) Jamaica
  • Art Monthly (April)
  • The Observer (April 19th), Jonathan Raban
  • The Times Literary Supplement (April 24th)
  • The London Evening Standard (May 7th)
  • Art Line Vol 3, No. 7, Mike Von Joel
  • The Independent (May 25th)
  • Tom Phillips: Prints and Graphics Catalogue, Turnpike Gallery, Leigh
  • The Times (May 30th)
  • The London Evening Standard (June 1st)
  • City Limits (June 21st)
  • The Sunday Telegraph Magazine (July 12th)
  • The Review of Contemporary Fiction Vol VII, No. 2 Samuel Beckett Number
  • Royal Academy Magazine No. 16 (Autumn), Adrian Mitchell
  • The Architects Journal Vol 186, No. 43 (October 28th), Callum Murray
  • The Times Literary Supplement (November 6th), David Bindman
  • 'Che Strana Commedia' Arte
  • 1986
  • Eye Music, The Graphic Art of Musical Notation Catalogue Arts Council
  • With A Poet's Eye Tate Gallery Anthology, Edwin Morgan
  • The Journal of Decorative and Propaganda Arts The Wolfson Foundation, Miami (Summer)
  • The Sunday Mail (July 13th) Harare
  • The Sunday Times July 20th
  • The South London Press (August 1st)
  • Gironde (5th September)
  • Wine Spectator (November 15th)
  • The New York Times Weekend edition, John Russell
  • 1985
  • The Thames and Hudson Encyclopedia of British Art ed David Bindman
  • Scan Issue 1 (Feb/March) Southwark Entertainments
  • 'Rencontres Art et Cinéma'Ouest France (March 18th)
  • The Print Collectors Newsletter (May/June), Vincent Katz
  • City Limits (May 31st)
  • Sunday Express (June 2nd)
  • The Observer (June 2nd)
  • Time Out (June 6th)
  • The Times Literary Supplement (July 26th)
  • Artscribe (July/August), Cathy Courtney
  • Royal Academy Magazine No. 7, Edward Lucie-Smith
  • Performance Magazine (August), Rob La Fresnais
  • Irish Times (August 10th)
  • The Buffalo News (August 25th)
  • Royal Academy Magazine No. 9
  • New York Times (September 5th), John Russell
  • Washington D.C Post (September 8th), Leonard Sarcus
  • Colour Tribune (September 15th), Seamus Heaney
  • Berkshire Eagle (September 18th), John Russell
  • International Herald Tribune (September 20th), John Russell
  • Thames & Hudson Books (September), Norbert Lynton
  • Art Press (September) France
  • Gertrude Stein: Une Pièce Circulaire Édition Traversière Paris (November)
  • Artweek (November 16th)
  • The Economist (November 23rd)
  • L.A Times (November 24th), John Freccero
  • Le Musée Des Beaux Arts, Rouen Catalogue (30th November — 1st December)
  • The Spectator (30th November)
  • Financial Times (30th November)
  • Performance No. 36
  • The Sunday Gleaner Art and Literature
  • 1984
  • Crafts No. 66 (Jan/Feb), Michael Taylor
  • The Cambridge Quarterly Vol 13 No. 2, Alan Woods
  • The Guardian (October), Richard Boston
  • 'A ConveRepublic of South Africation with Tom Phillips' Craft International (Oct/Nov/Dec), Richard Minsky
  • Arts Review (February 2nd), Pat Gilmour
  • 1983
  • L'Adipe (February 17th) Trento
  • The Times (February 26th), Edward Lucie-Smith
  • New York New York (March 7th)
  • Art and Artists (May), Marina Vaizey
  • The New York Times (May 20th)
  • After Image (Summer)
  • Lo Spazio Umano (July) Milan
  • L'Adipe (July 26th)
  • Diversion (August) USA
  • The Print Collectors Newsletter Vol XIX No. 3
  • Chronicles of Culture (August)
  • South London Press (8th October)
  • The Sunday Times (30th October)
  • The Times Literary Supplement (4th November)
  • The Times (November 15th), Paddy Kitchen
  • '53-'83 Three Decades of Artists from Inner London Schools Royal Academy, London
  • The Granada Collection Catalogue Whitworth Gallery, Manchester
  • 1982
  • British Landscape Painting Phaidon, Michael Rosenthal
  • The Cambridge Quarterly Vol 10 No. 3, Alan Woods
  • Groups V Catalogue, Waddington Galleries, London (January)
  • The Mail On Sunday (May 23rd), John Walker
  • On Irma The Guardian (6th September), Meirion Bowen
  • On Irma The Times (6th September), Paul Griffiths
  • 1981
  • Bookworks Catalogue South Hill Park Arts Centre (March) Bracknell
  • Six British Artists Catalogue Waddington Galleries London
  • New Musical Express (May 16th)
  • 1980
  • Art in the Seventies Phaidon, Edward Lucie-Smith
  • The Phaidon Companion to Art and Artists in the British Isles Phaidon, Michael Jacobs and Malcolm Warner
  • Now (November)
  • Minsky in London Richard Minsky New York
  • Vogue (December)
  • 1979
  • This is London (November 23-29th)
  • 1978
  • Tom Phillips Symposium Open Letter Numbers 1 & 2 Fourth Series (Summer) Canada
  • Blodau/Flowers, Images by Contemporary Artists Exhibition Catalogue Welsh Arts Council
  • The Observer Magazine
  • The Statesman (January 26th) India
  • The Business Standard (January 29th) India
  • The Amrita Bazar Patrika (January 30th) India
  • Het Nieuwe Architektuur Museum Museum Journal, J.L. Locher
  • 1977
  • Action Musicale Jean-Yves Bosseur Paris
  • Studio International Music Issue
  • Mannheim, Kunsthalle Retrospective Exhibition Catalogue
  • Musics (February) London
  • Recent British Art Exhibition Catalogue, Museum of Contemporary Art, Skopje (February)
  • Recent British Art British Cultural Festival, Iran (October)
  • British Painting 1952-1977 Exhibition Catalogue, Royal Academy (September)
  • The Century of Change, British Art since 1900 Phaidon, Richard Shone
  • Late Modern, The Visual Arts since 1945 Thames and Hudson, Edward Lucie-Smith
  • British Art From Holbein To The Present Day Tate Gallery Simon Wilson
  • Contemporary British Artists Photographs, Walia Bergström & Boyle
  • 1976
  • Artlook 99 (Feb/March) Republic of South Africa
  • Die Burger (January) Republic of South Africa
  • Cape Argus (January) Republic of South Africa
  • The Observer (February 1st), William Feaver
  • The Sunday Times (February 1st), Marina Vaizey
  • Skira Art Annual
  • Apollo (August)
  • Terzio Occhio (September) Bologna
  • The Times (February 3rd), Paul Overy
  • The Sunday Telegraph (February 15th)
  • 'Tom Phillips Observed.'Arts Review Vol XXVIII No. 23 (November 12th)
  • Studio International Vol 192 No. 984, Gavin Bryars and Fred Orton
  • 1975
  • Westfälische Rundschau (July 4th)
  • Ruhr Nachrichten (July 5th)
  • Westdeutsche Allgemeine Zeitung (July 5th)
  • Westdeutsche Allgemeine Zeitung (July 8th)
  • Die Zeit (July 25th)
  • Westfalenspiegel (August)
  • The Paris Post (November)
  • Le Monde (November 20th), Jacques Michel
  • Museumjournal Rijksmuseum, Vincent Van Gogh Amsterdam (February)
  • Art International Vol XIX No.6 (June 15th), R.C Kennedy
  • Contemporary British Drawings Catalogue British Council Exhibition
  • Museumjournal III J. L. Locher The Hague
  • 1974
  • The Guardian (October 9th), Michael Kustow
  • Art in America (January)
  • The Recollection South Western Arts Association
  • 1973
  • Nouvelle de l'Estampe Bibliothèque Nationale No.9 (May/June) Paris
  • 1972
  • Burlington Magazine
  • Katalog der Neuen Galerie Ludwig Sammlung, Aachen
  • New Acquisitions Catalogue Tate Gallery London
  • The Sunday Times John Russell
  • 1971
  • 'An Anthology of British Concrete Poetry' Mindplay (ed Sharkey) Lorimer London
  • Studio International (October)
  • 1970
  • Art and Artists (September)
  • Art International Vol XIV No. 7 (20th September), Richard Kostelanetz
  • Critic's Choice Exhibition Catalogue, Arthur Tooth Gallery
  • Art International (October)
  • Daily Telegraph (February)

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