Publications: bibliography: by TP

Elsinore Library (detail)

The Library at Elsinore, installation 2007

  • 2014
  • 'Henri Matisse: The Cut-outs at Tate Gallery, London' Times Literary Supplement (23rd May 2014)
  • 2013
  • 'Abstraction by Candlelight : Birth of the Modern Mind, British Museum' Times Literary Supplement (26th April 2013)
  • 'Playing Pictures: The wonder of graphic scores' The Guardian Classical Music section (7th October 2013)
  • 'Tom Phillips on Paul Klee: Making Visible, Tate Modern' Royal Academy Magazine (Autumn 2013) p.34
  • 2012
  • 'Tom Phillips reviews Bronze RA The Lingua Franca of Great Art' Times Literary Supplement (5th October 2012)
  • 2011
  • 'Review of Postcards of the Wiener Werkstätte, A Catalogue Raisonné: Selections from the Leonard A. Lauder Collection' Eye Magazine 81 2011
  • 'Picasso in Sheffield / Haydn in Slough', The Official Catalog of the Library of Potential Literature (Cow Heavy Books, 2011) p.48
  • 2010
  • 'Van Gogh through artist's eyes', Royal Academy Magazine (Spring 2010) p.59
  • 2009
  • 'Tom Phillips in the Ashmolean', The Ashmolean (Summer 2009) p.29
  • 2008
  • 'Biography of a Painting I', Turps Banana (March 2008) pp.44-49
  • 2007
  • 'The Sound in my Life', Pallant House Gallery Magazine (Pallant House, July 2007) p.40
  • 'Hershey Heaven and Dante's Hell', Italy's Three Crowns; Reading Dante, Petrarch, and Boccaccio (Bodleian Library, 2007) pp.104-116
  • 'A Painter's Progress', Art in America (Brandt Publications, June/July 2007)
  • New Moment Magazine (Council of New Thinking, April 2007) p.23
  • 'Humument Fragment - Blake', The William Blake Birthday Book (Bow of Burning Gold, 2007) p.32
  • 2006
  • 'The Sound in My Life', Slade Lecture VIII Concert (8th March 2006)
  • 'Inspirations', Art Quarterly (The Art Fund, Autumn 2006) pp.16,84
  • 2005
  • 'My Southwark Life', Southwark Life (February 2005)
  • 2004
  • 'El Greco', Times Literary Supplement (February 2004)
  • 'We Are The People: postcards from the collection of Tom Phillips', Face to Face (Spring 2004)
  • 'We Are The People!', Picture Postcard Monthly (March 2004) pp.12-14
  • 'Israeli & Palestinian Postcards', Times Literary Supplement (August 2004)
  • 'The artist Tom Phillips reflects on the drawings of Harrison Birtwistle', Royal Festival Hall/ Southbank (August 2004)
  • 'A Falafel World', Times Literary Supplement (The Times, September 2004) p.12
  • 2003
  • 'Written from Memory', Gardens Illustrated (January, 2003) p.130
  • 'Ornament', The Architectural Review (April 2003) p.79
  • 'Foreword', Drawing (Camberwell School of Art, June 2003)
  • 'Spoils of the Remembrancers', Times Literary Supplement (6th June, 2003)
  • 'Creating Money', Camellia Journal (Duncan Lawrie/Camellia Journal, Winter 2003) p.11
  • 'A further step in Cathedral Decoration', Oremus (November, 2003)
  • 2002
  • 'A Painter’s Painter', Evening Standard (18th June, 2002) p.51
  • 'How we brought Aztec gold to the West End', Evening Standard - Arts page (5th November, 2002)
  • Une Collection Pour une Région 1982-2002 (FRAC Haute Normandie, 2002) pp.15, 96, 213
  • 2001
  • 'Botticelli’s Dante', Royal Academy Audio Guides (February, 2001)
  • 'Dante’s Vision', RA Magazine (Spring, 2001) p.50
  • 'Discussion of African Art at the British Museum', Nightwaves: Radio 3 (1st March, 2001)
  • 'My world of art - questionnaire', World of Art Newspaper (May, 2001)
  • 2000
  • 'Notes in the post', BBC Music Magazine (January, 2000) p.18
  • 'Notes in the post', BBC Music Magazine (February, 2000) p.18
  • 'Notes in the post', BBC Music Magazine (March, 2000) p.18
  • 'Beckett, Cricket, and Bowler Hats', Folio (Summer 2000) p.19
  • 'Notes in the post', BBC Music Magazine (June, 2000) p.18
  • 'Notes in the post', BBC Music Magazine (July 2000) p.18
  • 'Notes in the post', BBC Music Magazine (August, 2000) p.18
  • 'Notes in the post', BBC Music Magazine (September, 2000) p.20
  • 'Notes in the post', BBC Music Magazine (October, 2000) p.20
  • '5000 ans de Figures humaine', Musée Barbier-Mueller (October, 2000)
  • 'Notes in the post', BBC Music Magazine (November, 2000) p.24
  • 'Review of Blake exhibition', Front Row, Radio 4 (BBC, 8th November 2000)
  • 'Notes in the post', BBC Music Magazine (December, 2000) p.22
  • 'Who’s releasing what in Bach year?', Gramophone (January, 2000)
  • 'Foreword', Artists Emerging: Sustaining Expression through Drawing by Sheila Paine (Ashgate, 2000)
  • 1999
  • 'Notes in the post', BBC Music Magazine (January, 1999) p.21
  • 'Notes in the post', BBC Music Magazine (February, 1999) p.24
  • 'Notes in the post', BBC Music Magazine (March, 1999) p.26
  • 'Notes in the post', BBC Music Magazine (April, 1999) p.24
  • 'Notes in the post', BBC Music Magazine (June, 1999) p.24
  • 'Notes in the post', BBC Music Magazine (July, 1999) p.22
  • 'Notes in the post', BBC Music Magazine (August, 1999) p.20
  • 'Notes in the post', BBC Music Magazine (October, 1999) p.20
  • 'Notes in the post', BBC Music Magazine (November, 1999) p.20
  • 'Notes in the post', BBC Music Magazine (December, 1999)
  • 'Commercial Art in the Public Realm', Eye (Winter 1999) p.60
  • 'Images of a Lifetime' by many artists including Tom Phillips, Modern Painters (Winter, 1999)
  • 1998
  • 'Notes in the post', BBC Music Magazine (January, 1998) p.25
  • 'Notes in the post', BBC Music Magazine (February, 1998) p.32
  • 'Notes in the post', BBC Music Magazine (April, 1998) p.35
  • 'Notes in the post', BBC Music Magazine (May, 1998) p.25
  • 'Notes in the post', BBC Music Magazine (June, 1998) p.28
  • 'What are they warbling on about?', The Daily Telegraph (5th September, 1998)
  • 'Notes in the post', BBC Music Magazine (November, 1998) p.23
  • 'A New Otello', RA Magazine (Autumn, 1998) p.90
  • 1997
  • 'A praise song of Africa: Reflections of the RA Art of a Continent Exhibition', Optima (Anglo American Corp and De Beers, February 1996) p.7-11
  • Aspects of Art (Bellew)
  • Music in Art (Prestel)
  • A Humument (second revised edition) (Thames & Hudson)
  • 1996
  • Merely Connect (The Carpenter Centre in association with Talfourd Press)
  • 1995
  • 'Mud and Magic', RA Magazine (RA Publications, Autumn 1995) p.34
  • 1992
  • Symposium of Plato (Folio Society)
  • Dante: A Comedy of Errors (Talfourd Press)
  • Six Songs for Mary Wiegold (score, Talfourd Press)
  • A Quest for Identity (Talfourd Press)
  • Anniversary Supplement to A Humument (Talfourd Press)
  • Tom Phillips Works and Texts (Royal Academy / Thames & Hudson / Hansjörg Mayer)
  • Humument Variations (Talfourd Press)
  • 1991
  • 'The artist’s endgame', Times Literary Supplement (March 16th-22nd, 1990) p.281
  • Catalogue (Raleigh, North Carolina)
  • Where Are They Now: The Class of '47 (Talfourd Press / Richard Minsky)
  • A TV Dante: the Commentary (Channel 4 Publications)
  • 1989
  • 'Ô Raisins Ô Châteaux', The Duncan Lawrie Journal (Autumn 1989)
  • I drove my big Mercedes from Stuttgart down to Hades (Talfourd Press / Richard Minsky)
  • The Portrait Works (National Portrait Gallery)
  • 1986
  • 'Tom Phillips ARA Celebrates a milestone of English narrative art', RA Magazine (Spring 1986)
  • 1987
  • A Humument (revised edition) (Thames & Hudson)
  • Cuts (with Malcolm Bradbury)
  • 1985
  • The Heart of A Humument (Edition Hansjörg Mayer)
  • Dante's Inferno (trade edition) (Thames & Hudson)
  • 1983
  • Dante's Inferno (Talfourd Press)
  • The Making of A Book (3 volumes, Waddington Graphics)
  • 1980
  • A Humument (trade edition) (Thames & Hudson)
  • 1979
  • Catalogue (Marlborough Fine Art)
  • 1977
  • A Humument Variations (Coriander Press)
  • 1976
  • A Humument Volume X (Tetrad Press)
  • New Drawings and Prints (catalogue, Welsh Arts Council)
  • 1975
  • Imaginary Postcards (with Jonathan Williams) (Trigram Press)
  • A Humument Volume VIII (Tetrad Press)
  • Works/Texts to 1974 (Edition Hansjörg Mayer)
  • 1974
  • A Humument Volume VII (Tetrad Press)
  • The Source of the Dove (Tetrad Press)
  • 1973
  • A Humument Volume VI (Tetrad Press)
  • Catalogue (Marlborough Fine Art)
  • 1972
  • Ein deutsches Requiem (Tetrad Press)
  • A Humument Volume III (Tetrad Press)
  • A Humument Volume IV (Tetrad Press)
  • A Humument Volume V (Tetrad Press)
  • The Birth of Art (Tetrad Press)
  • Lesbia Waltz (score, Tetrad Press)
  • Seven Miniatures (score, Tetrad Press)
  • 1971
  • Trailer (Edition Hansjörg Mayer)
  • Poster Humument (Tetrad Press)
  • A Humument Volume I (Tetrad Press)
  • A Humument Volume II (Tetrad Press)
  • A Humument Supplement (Tetrad Press)
  • 1970
  • The Directions (with Jerome Rothenberg) (Tetrad Press)
  • Correspondance (with Roy Fisher) (Tetrad Press)
  • Metamorphoses (with Roy Fisher) (Tetrad Press)
  • In One Side and Out the Other (with James and Crozier) (Ferry Press)
  • 1969
  • Ornamentik (score, Circle Press)
  • Card Series (Openings Press)
  • 1968
  • Plakat 8 (Openings Press)
  • The Singing Mushroom, Poem for John Cage (Openings Press)
  • The Coherences (illustrations) (Trigram Press)
  • 1966
  • Four Pieces for John Tilbury (score, published T.P.)
  • Jigsaw Pieces (score, published T.P.)
  • 1965
  • AIA Catalogue (published T.P.)

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